Achar, D. et al. (2012) Articulating resistance: art and activism. New Delhi: Tulika Books.
Adesokan, A. (2011) Postcolonial artists and global aesthetics. Bloomington: Indiana University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=670305.
Alexis L. Boylan (2017) Ashcan Art, Whiteness, and the Unspectacular Man. Bloomsbury Academic. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4815072.
Allen, F. and Whitechapel Art Gallery (2011) Education. London: Whitechapel Gallery.
Altshuler, B. and Altshuler, B. (2013) Collecting the New: Museums and Contemporary Art. Princeton: Princeton University Press. Available at: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=1422521.
Altshuler, B. and Sharmacharja, S. (2009) A manual for the 21st century art institution. London: Koenig Books.
Ambrose, T. and Paine, C. (2012) Museum basics. 3rd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=981849.
Art without history? Southeast Asian artists and their communities in the face of geography - University of Leicester (no date). Available at: https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_webofscience_primary_000294751400003.
Best, S. (2011) Visualizing Feeling: Affect and the Feminine Avant-garde. London: I.B.Tauris. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=784563.
Bishop, C. (2006) Participation. London: Whitechapel.
Bishop, C. and Perjovschi, D. (2013a) Radical museology, or, what’s contemporary in museums of contemporary art? Köln: Walther König.
Bishop, C. and Perjovschi, D. (2013b) Radical museology, or, what’s contemporary in museums of contemporary art? Köln: Walther König.
Blake, N. (1995) In a different light: visual culture, sexual identity, queer practice. San Francisco: City Lights Books.
Bourdieu, P., Darbel, A. and Schnapper, D. (1991) The love of art: European art museums and their public. Cambridge: Polity Press.
Bourdieu, P. and Johnson, R. (1993) The field of cultural production: essays on art and literature. Cambridge: Policy Press.
Burton, J., Jackson, S. and Willsdon, D. (eds) (2016) Public servants: art and the crisis of the common good. Cambridge, Massachusetts: The MIT Press.
Butler, C.H. (2012) From conceptualism to feminism: Lucy Lippard’s numbers shows, 1969-74. London: Afterall.
Cheryl Meszaros (2008) ‘Un/Familiar’, The Journal of Museum Education, 33(3), pp. 239–246. Available at: http://www.jstor.org/stable/40479677?pq-origsite=summon&seq=1#page_scan_tab_contents.
Contemporary Art Society (2014) The best is not too good for you: new approaches to public collections in England. London: Whitechapel Gallery.
Contemporary British Women Artists In Their Own Words - University of Leicester (no date). Available at: http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=44UOLE_ALMA51137157280002746&indx=4&recIds=44UOLE_ALMA51137157280002746&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&rfnExcGrp=1&dscnt=0&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&vid=44UOLE_VU1&mode=Basic&mulExcFctN=facet_rtype&fctExcV=reviews&srt=rank&tab=default_tab&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists&dstmp=1505407633210.
Cook, S. (ed.) (2016) Information. London: Whitechapel Gallery, The MIT Press.
Cook, S. (no date a) ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’, in S. Bianchini and E. Verhagen (eds) Practicable : from participation to interaction in contemporary art /, pp. 377–395.
Cook, S. (no date b) ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’, in S. Bianchini and E. Verhagen (eds) Practicable : from participation to interaction in contemporary art /, pp. 377–395.
Demos, T.J. (2013) Return to the postcolony: specters of colonialsim in contemporary art. Berlin: Sternberg Press.
Dimitrakaki, A. and Perry, L. (eds) (2015) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions. Liverpool: Liverpool University Press.
Dobson, K. and McGlynn, A. (eds) (2013) Transnationalism, activism, art. Toronto, [Ontario]: University of Toronto Press. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4672844.
Duncan, C. (1995) Civilizing Rituals. London: Routledge. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://www.tandfebooks.com/doi/view/10.4324/9780203978719.
Edited by Samuel Bianchini and Erik Verhagen (no date) Practicable: From Participation to Interaction in Contemporary Art.
Ferguson, B.W., Greenberg, R. and Nairne, S. (1996a) Thinking About Exhibitions. Taylor & Francis Ebooks. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218.
Ferguson, B.W., Greenberg, R. and Nairne, S. (1996b) Thinking About Exhibitions. Taylor & Francis Ebooks. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218.
Finkelpearl, T. (20011001) Dialogues in Public Art. Cambridge, MA, USA: MIT Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=3338874.
Fritsch, J. and Victoria and Albert Museum. Sackler Centre for Arts Education (2011a) Museum gallery interpretation and material culture. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469.
Fritsch, J. and Victoria and Albert Museum. Sackler Centre for Arts Education (2011b) Museum gallery interpretation and material culture. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469.
Fromm, A.B., Rekdal, P.B. and Golding, V. (eds) (2014a) Museums and truth. Newcastle upon Tyne: Cambridge Scholars Publishing. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196.
Fromm, A.B., Rekdal, P.B. and Golding, V. (eds) (2014b) Museums and truth. Newcastle upon Tyne: Cambridge Scholars Publishing. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196.
George, A. (2015a) The curator’s handbook: museums, commercial galleries, independent spaces. London: Thames & Hudson. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065.
George, A. (2015b) The curator’s handbook: museums, commercial galleries, independent spaces. London: Thames & Hudson. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065.
Golding, V. (2009) Learning at the museum frontiers: identity, race and power. Farnham: Ashgate. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664467100002746&institutionId=2746&customerId=2745.
Golding, V. (2013) ‘museums, poetics and affect’, Feminist Review, 104(S1), pp. 80–99. Available at: https://doi.org/10.1057/fr.2013.2.
Golding, V. and Modest, W. (2013) Museums and communities: curators, collections and collaboration. Oxford: Bloomsbury. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1334381.
Graham, B. and Cook, S. (2010) Rethinking curating: art after new media. Cambridge, Mass: MIT Press.
Harris, J. (2011) Globalization and contemporary art. Oxford: Wiley-Blackwell.
Hayden, M.H. and Sjöholm, J. (2010) Feminisms is still our name: seven essays on historiography and curatorial practices. Newcastle upon Tyne: Cambridge Scholars. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6211957.
Herstatt, C. (2008) Women gallerists in the 20th and 21st centuries. Ostfildern: Hatje Cantz.
Hoffmann, J. (2014) Show time: the 50 most influential exhibitions of contemporary art. London: Thames & Hudson.
Hoffmann, J. (ed.) (2017) The exhibitionist: journal on exhibition making - the first six years. [United States]: [publisher not identified].
Hospitality - Hosting Relations in Exhibitions (Conference) (2016) Hospitality: hosting relations in exhibitions. Edited by B. Meyer-Krahmer and B. von Bismarck. Berlin: Sternberg Press.
Hudek, A. (ed.) (2014) The object. London: Whitechapel Gallery.
Jennings, G. (ed.) (2015) Abstract video: the moving image in contemporary art. Berkeley: University of California Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4401375.
Jones, C.A. et al. (2006) Sensorium: embodied experience, technology, and contemporary art. Cambridge, Mass: MIT List Visual Arts Center.
Kim, J. (2016) Between film, video, and the digital: hybrid moving images in the post-media age. New York: Bloomsbury Academic. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4528277.
Knell, S.J. (ed.) (2019) The contemporary museum: shaping museums for the global now. London: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479.
Lange-Berndt, P. (ed.) (2015) Materiality. London: Whitechapel Gallery.
Lee, P.M. (2017) Forgetting the art world. Cambridge, Massachusetts: The MIT Press.
Levin, A.K. (2010) Gender, sexuality and museums. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=557304.
Ligon, G. (2015) Glenn Ligon: Encounters and collisions. Edited by G. Ligon, A. Farquharson, and F. Manacorda. London: Nottingham Contemporary and Tate.
Malt, C. (2005) Women’s voices in Middle East museums: case studies in Jordan. Syracuse, N.Y.: Syracuse University Press.
Maltz-Leca, L. (2017) William Kentridge: process as metaphor and other doubtful enterprises. Oakland, California: University of California Press.
Marcia Tucker (2010) A short life of trouble. Berkeley, Calif: University of California Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=306112.
Marshall, C.R. (2011) Sculpture and the museum. Farnham: Ashgate. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4907028.
M.I.T. Press (2015) Moving image. Edited by O. Kholeif. London: Whitechapel Gallery.
NEW CRITICAL DIRECTIONS: TRANSNATIONALISM AND DIASPORA IN ASIAN AMERICAN ART - University of Leicester (no date). Available at: https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_crossref_primary_10_1086_sou_31_3_23208591.
Obrist, H.U. (2015) Ways of curating. UK: Penguin Books.
O’Doherty, B. (1999) Inside the white cube: the ideology of the gallery space. Expanded ed. Berkeley, Calif: University of California Press.
O’Doherty, B. (20080101) Studio and Cube : On the Relationship Between Where Art Is Made and Where Art Is Displayed. New York, NY, USA: Princeton Architectural Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3387478.
O’Neill, P. (2012a) The culture of curating and the curating of culture(s). Cambridge, Mass: The MIT Press.
O’Neill, P. (2012b) The culture of curating and the curating of culture(s). Cambridge, Mass: The MIT Press.
O’Neill, P., Fletcher, A. and Andreasen, S. (2011) Curating subjects. 2nd ed. London: Open Editions.
O’Neill, P., Wilson, M. and Steeds, L. (eds) (2016) The curatorial conundrum: what to study? what to research? what to practice? Cambridge, Massachusetts: The MIT Press.
Petersen, A.R. (2017) MIGRATION INTO ART. Manchester: MANCHESTER UNIVERSITY PRESS.
Pollock, G. (2007) Encounters in a virtual feminist museum: time, space and the archive. London: Routledge.
Reiss, J.H. (1999) From margin to center: the spaces of installation art. Cambridge, Mass: MIT Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780262282291.
Rugg, J., Rugg, J. and Sedgwick, M. (2007) Issues in curating contemporary art and performance. Bristol, UK: Intellect.
Saunders, N.J. (2003) Trench art: materialities and memories of war. Oxford: Berg. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1274749.
Schlachetzki, S.M. (2012) Fusing lab and gallery: device art in Japan and international nano art. Bielefeld: Transcript Verlag. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1918223.
Schubert, K. (2000) The curator’s egg: the evolution of the museum concept from the French Revolution to the present day. London: One-Off Press.
Serota, N. (1996) Experience or interpretation: the dilemma of museums of modern art. London: Thames & Hudson.
Smith, T. (2012) Thinking contemporary curating. New York: Independent Curators International.
Spieker, S. (ed.) (2017) Destruction. Cambridge, MA: The MIT Press.
Steeds, L. (ed.) (2014a) Exhibition. Cambridge, Massachusetts: The MIT Press.
Steeds, L. (ed.) (2014b) Exhibition. Cambridge, Massachusetts: The MIT Press.
Steeds, L. (ed.) (2014c) Exhibition. Cambridge, Massachusetts: The MIT Press.
Tamen, M. (2001) Friends of interpretable objects. Cambridge, Mass: Harvard University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664373980002746&institutionId=2746&customerId=2745.
THE BAD BOYS OF ART STILL HAVEN’T GROWN UP; The artists Dinos Chapman, 51, and his brother, Jake, 46, talk about mutilated pets, hitting each other with sticks, and why they have banned their parents from their exhibition openings.(Features; Profiles and Interviews) - University of Leicester (no date). Available at: http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=TN_gale_ofa329444933&indx=10&recIds=TN_gale_ofa329444933&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=3&dscnt=1&mode=Basic&vid=44UOLE_VU1&mulExcFctN=facet_rtype&fctExcV=reviews&tab=default_tab&dstmp=1505407700816&frbg=&frbrVersion=2&rfnExcGrp=1&viewAllItemsClicked=false&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&srt=rank&selectedLocation=&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists.
The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition - University of Leicester (no date). Available at: https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_gale_lrcgauss_A111013381.
Voorhies, J.T. (2017a) Beyond objecthood: the exhibition as a critical form since 1968. Cambridge, Massachusetts: The MIT Press.
Voorhies, J.T. (2017b) Beyond objecthood: the exhibition as a critical form since 1968. Cambridge, Massachusetts: The MIT Press.
Wang, P., Wu Hung, and Museum of Modern Art (New York, N.Y.) (2010) Contemporary Chinese art: primary documents. New York, N.Y.: Museum of Modern Art.
Whitehead, C. (2012) Interpreting art in museums and galleries. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=838179.
Zabala, S. (2017) Why only art can save us: aesthetics and the absence of emergency. New York: Columbia University Press.