Akin, F., Kekilli, S. and Ünel, B. (2005) ‘Gegen die wand =: Head on’. [S.l.]: Soda Pictures.
Alfredson, T. et al. (2009) ‘Låt den rätte komma in =: Let the right one in’. [S.l.]: Momentum Pictures.
Becker, W., Brühl, D. and Sass, K. (2007) ‘Goodbye Lenin!’ [S.l.]: Pathè!
Berghahn, D. (2011) ‘“Seeing everything with different eyes”: the diasporic optic of Fatih Akin’s Head On (2004)’, in New Directions in German Cinema. I.B.Tauris. Available at: http://ezproxy.lib.le.ac.uk/login?url=https://www.bloomsburycollections.com/book/new-directions-in-german-cinema/.
Beugnet, M. (2011) ‘The Wounded Screen’, in The New Extremism in Cinema : From France to Europe. Edinburgh University Press. Available at: https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&ppg=36.
‘Colossal youth’ (2011). Eureka.
Dardenne, L., Dardenne, J.-P. and Renier, J. (no date) ‘La promesse’. [S.l.]: Artificial Eye.
Delanty, G. (1995) ‘The Ambivalence of Europe: A Theoretical Introduction’, in Inventing Europe: Idea, Identity, Reality. Basingstoke: Palgrave Macmillan, pp. 1–15. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6578546.
Denis, C., Dalle, B. and Gallo, V. (no date) ‘Trouble every day’. [S.l.]: Tartan video.
Dominique Nasta (2013) Contemporary Romanian Cinema : The History of an Unexpected Miracle. Columbia University Press. Available at: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&ppg=10.
Elsaesser, T. (2005) ‘Double Occupancy and Small Adjustments’, in European cinema: face to face with Hollywood. Amsterdam: Amsterdam University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665849240002746&institutionId=2746&customerId=2745.
Galt, R. (2012) ‘Back-Projecting Germany’, in The New European Cinema : Redrawing the Map. Columbia University Press. Available at: https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=908527&ppg=162.
Hall, S. (no date) ‘Europe’s Other Self’ by Stuart Hall, Marxism Today, August 1991 - UNZ.org. Available at: http://www.unz.org/Pub/MarxismToday-1991aug-00018.
Haneke, M., Auteuil, D. and Binoche, J. (2005) ‘Caché =: Hidden’. [S.l.]: Artificial eye.
Hodgin, N. (2013) ‘Good Bye, Ostalgie?’, in Screening the East : Heimat, Memory and Nostalgia in German Film since 1989. Berghahn Books, Incorporated. Available at: https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=717909&ppg=164.
Ira Jaffe (2014) Slow Movies : Countering the Cinema of Action. Columbia University Press. Available at: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1634825&ppg=7.
Iversen, G. (2016) ‘Between Art and Genre: New Nordic Horror Cinema’, in M. Hjort (ed.) A companion to Nordic cinema. Chichester, West Sussex: Wiley/Blackwell. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4461559.
James, H. (2014) Europe Reborn: A History, 1914-2000. Hoboken: Taylor and Francis. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1733961.
Kaplan, E.A. (2010) ‘European Art Cinema, Affect and Postcolonialism: Herzog, Denis and the Dardenne Brothers’, in Global art cinema: new theories and histories. Oxford: Oxford University Press, pp. 285–302. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=497594.
Karlsson, H. (2013) ‘The Vampire and the Anxieties of a Globalizing Swedish Welfare State: Låt den rätte komma in (Let the Right One In) (2008)’, European Journal of Scandinavian Studies, 43(2). Available at: https://doi.org/10.1515/ejss-2013-0010.
Koutsourakis, A. (2012) ‘“You Want to Wake up to Free Yourself of the Image of Europa. But It Is Not Possible”: Lars von Trier’s Critique of the European Narrative of Progress in His Europa Trilogy’, Journal of Contemporary European Studies, 20(4), pp. 517–535. Available at: https://doi.org/10.1080/14782804.2012.737666.
Lanthimos, Y. (2010) ‘Dogtooth’. Verve Pictures.
Liz, M. (2016) Euro-visions: Europe in contemporary cinema. London: Bloomsbury Academic.
Lykidis, A. (no date) ‘Crisis of sovereignty in recent Greek Cinema’. Available at: http://www.ingentaconnect.com/content/intellect/jgmc/2015/00000001/00000001/art00002?crawler=true.
Mazierska, E. (2011) ‘Goodbye Lenin or Not: Cinematic Representations of the End of Communism’, in European Cinema and Intertextuality: History, Memory and Politics. London: Palgrave Macmillan UK, pp. 174–206. Available at: https://doi.org/10.1057/9780230319547_6.
Mosley, P. (2012) ‘Responsible Realists’, in The Cinema of the Dardenne Brothers : Responsible Realism. Columbia University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=946277&ppg=9.
Mungiu, C. et al. (2008) ‘4 luni, 3 saptamâni si 2 zile =: 4 months, 3 weeks and 2 days’. [S.l.]: Artificial Eye.
Nagib, L. (2015) ‘The Politics of Slowness and the Traps of Modernity’, in Slow Cinema. Edinburgh University Press. Available at: http://ebookcentral.proquest.com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4306147&ppg=46.
Nasta, D. (2013) ‘The 4-3-2 Paradigm: Mungiu’s Large-Scale Phenomenon’, in Contemporary Romanian Cinema : The History of an Unexpected Miracle. Columbia University Press. Available at: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1321357&ppg=10.
Psaras, M. (2016) ‘Introduction: The Meaning of the Crisis or the Crisis of Meaning’, in The Queer Greek Weird Wave : Ethics, Politics and the Crisis of Meaning. Springer International Publishing. Available at: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=4734207&ppg=10.
Quandt, J. (2011) ‘Flesh and Blood: Sex and Violence in Recent French Cinema’, in The New Extremism in Cinema : From France to Europe. Edinburgh University Press. Available at: https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/reader.action?docID=744021&ppg=36.
Von Trier, L. (2002) ‘Europa’. Tartan.
Wheatley, C. (2009) ‘Shame and Guilt: Caché’, in Michael Haneke’s cinema: the ethic of image. New York: Berghahn Books.
Wheatley, C. (2011) Caché. London: BFI.
