Abykayeva-Tiesenhausen, A. (2016) Central Asia in art: from Soviet orientalism to the new republics. London: I.B. Tauris.
Altshuler, B. (1998) The avant-garde in exhibition: new art in the 20th century. Berkeley, Calif: University of California Press.
Altshuler, B. (2008) Salon to Biennial - exhibitions that made art history: Vol.1: 1863-1959. London: Phaidon.
Altshuler, B. (ed.) (2013) Biennials and beyond: exhibitions that made art history, 1962-2002. London: Phaidon Press.
Arthur Danto (1964) ‘The Artworld’, The Journal of Philosophy, 61(19), pp. 571–584. Available at: http://www.jstor.org/stable/2022937?seq=1#page_scan_tab_contents.
Balzer, D. (2014) Curationism: how curating took over the art world and everything else. Toronto: Coach House Books. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3386806.
Barnes, J. (2015) Keeping an eye open : essays on art. London: Jonathan Cape.
Bazin, G. (1967) The museum age. [1st American ed.]. New York: Universe Books.
Becker, H.S. (2008) Art worlds. 25th anniversary edition, updated and expanded. Berkeley, Calif: University of California Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=7021812.
Bischoff, C. and Hermann, E. (2010) Kunsthistorisches Museum: history, architecture, decoration. Vienna: Christian Brandstätter.
Bjurström, P. and Nationalmuseum(Stockholm) (1993) The genesis of the art museum in the 18th century: papers given at a symposium in Nationalmuseum Stockholm, June 26, 1992, in cooperation with the Royal Academy of Letters, History and Antiquities. [Stockholm]: Nationalmuseum.
Bourdieu, P. and Johnson, R. (1993) The field of cultural production: essays on art and literature. Cambridge: Policy Press.
Bourdieu, P. and Nice, R. (1977) Outline of a theory of practice. Cambridge: Cambridge University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807280002746&institutionId=2746&customerId=2745.
Bourdieu, P. and Nice, R. (2010) Distinction: a social critique of the judgement of taste. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1433990.
Brettell, R.R. (1999) Modern art, 1851-1929: capitalism and representation. Oxford: Oxford University Press.
Buck, L. and Greer, J. (2006) Owning art: the contemporary art collector’s handbook. London: Cultureshock Media Ltd.
Buck, L., Lovell, V. and McClean, D. (2012) Commissioning contemporary art: a handbook for curators and artists. London: Thames & Hudson.
Burton, A. and Victoria and Albert Museum (1999) Vision and accident: the story of the Victoria and Albert Museum. London: V and A Publications.
Carrier, D. (2006) Museum skepticism: a history of the display of art in public galleries. Durham, N.C.: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1169313.
Clegg, E. (2006) Art, design, and architecture in Central Europe, 1890-1920. New Haven: Yale University Press.
Copeland, M. (2017) The Anti-museum: an anthology. Koenig Books.
Danto, A.C. (1981) The transfiguration of the commonplace: a philosophy of art. Cambridge, Mass: Harvard University Press.
De Marchi, N. and Miegroet, H.J. van (2006) Mapping markets for paintings in Europe 1450-1750. Turnhout, Belgium: Brepols. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5206522.
Dercon, C. and Serota, N. (eds) (2016) Tate Modern: building a museum for the 21st century. London: Tate Publishing.
Dickie, G. (1974) Art and the aesthetic: an institutional analysis. Ithaca: Cornell University Press.
Eisenman, S. (2002) Nineteenth century art: a critical history. New ed. London: Thames and Hudson.
Elkins, J. (2002) Stories of art. New York: Routledge.
Filipovic, E. et al. (2010) The biennial reader. Bergen: Bergen Kunsthall.
Fish, S.E. (1980) Is there a text in this class?: the authority of interpretive communities. Cambridge, Mass: Harvard University Press.
Gaehtgens, T.W., Marchesano, L., and Getty Research Institute (2011) Display and art history: the Dusseldorf gallery and its catalogue. Los Angeles, Calif: Getty Research Institute.
Galliera, I. (2016) ‘Self-Institutionalizing as Political Agency: Contemporary Art Practice in Bucharest and Budapest’, ARTMargins, 5(2), pp. 50–73. Available at: https://doi.org/10.1162/ARTM_a_00147.
Gee, M. (1981) Dealers, critics, and collectors of modern painting: aspects of the Parisian art market between 1910 and 1930. New York: Garland Pub.
George Dickie (1969) ‘Defining Art’, American Philosophical Quarterly, 6(3), pp. 253–256. Available at: http://www.jstor.org/stable/20009315?seq=1#page_scan_tab_contents.
Gombrich, E.H. (1995) The story of art. 16th ed. London: Phaidon Press.
Green, C. and Gardner, A. (2016a) Biennials, triennials, and documenta: the exhibitions that created contemporary art. Chichester, West Sussex, United Kingdom: John Blackwell. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515.
Green, C. and Gardner, A. (2016b) Biennials, triennials, and documenta: the exhibitions that created contemporary art. Chichester, West Sussex, United Kingdom: John Blackwell. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515.
Greenberg, R., Ferguson, B.W. and Nairne, S. (1996) Thinking about exhibitions. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218.
Greenfeld, L. (1989) Different worlds: a sociological study of taste, choice and success in art. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511571039.
Grosenick, U. and Stange, R. (2005) International art galleries: post-war to post-millennium : a narrative chronology of the dealers, artists and spaces that have defined modern art. London: Thames & Hudson.
Hans Ulrich Obrist (2015) Ways of Curating. Penguin.
Harris, N. (20131001) Capital Culture : J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience. Chicago, IL, USA: University of Chicago Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807300002746&institutionId=2746&customerId=2745.
Haskell, F. (2000) The ephemeral museum: old master paintings and the rise of the art exhibition. New Haven, Conn: Yale University Press.
Hoffmann, J. (2014) Show time: the 50 most influential exhibitions of contemporary art. London: Thames & Hudson.
Is art history global? (2007). London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=283681.
Jones, C.A. (2016) The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience. University of Chicago Press. Available at: http://lib.myilibrary.com?id=1004728.
Jyrämä, A. (1993) Can strategy or internationalization theories be applied to pictorial art markets. Helsinki: Helsinki School of Economics and Business Administration.
Jyrämä, A. (1997) Structure and practises in contemporary art sector: a comparative study of art galleries in Finland and Sweden. Helsinki: Helsinki School of Economics and Business Administration.
Klonk, C. (2009) Spaces of experience: art gallery interiors from 1800 to 2000. New Haven, Conn: Yale University Press.
Knell, S.J. (2007) Museums in the material world. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=308699.
Knell, S.J. (2016a) National galleries: the art of making nations. London: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064.
Knell, S.J. (2016b) National galleries: the art of making nations. London: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064.
Knell, S.J. (2016c) National galleries: the art of making nations. London: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064.
Knell, S.J. (2016d) National galleries: the art of making nations. London: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064.
Knell, S.J. (2016e) National galleries: the art of making nations. London: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064.
Knell, S.J. (ed.) (2018a) The contemporary museum: shaping museums for the global now. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479.
Knell, S.J. (ed.) (2018b) The contemporary museum: shaping museums for the global now. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479.
Knell, S.J. (ed.) (2018c) The contemporary museum: shaping museums for the global now. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479.
Kompatsiaris, P. (2017) The politics of contemporary art biennials: spectacles of critique, theory and art. New York: Routledge. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4834177.
Leicester Research Archive: Commercial Galleries in Copenhagen, London and Reykjavik: a comparative study of the formations, contexts and interactions of galleries founded between 1985 and 2002 (no date). Available at: https://lra.le.ac.uk/handle/2381/9475.
Lorente, J.P. and Lorente, J.P. (2011) The museums of contemporary art: notion and development. Farnham, Surrey, U.K., England: Ashgate. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10456145.
Lü, P. (2010) A history of art in 20th-century China. Milano: Charta.
Marincola, P. and Philadelphia Exhibitions Initiative (2006) What makes a great exhibition? Philadelphia, Pa: Philadelphia Exhibitions Initiative, Philadelphia Center for Arts and Heritage.
McCaughey, P. (2014) Strange country: why Australian painting matters. Carlton, Vic: Melbourne University Publishing.
McClellan, A. (2008) The art museum from Boullee to Bilbao. Berkeley, Calif: University of California Press.
Meyer, R. (2013) What was contemporary art? Cambridge, Massachusetts: The MIT Press.
Morphy, H. (2007) Becoming art: exploring cross-cultural categories. New York, NY: Berg.
Myers, F.R. (2002a) Painting culture: the making of an aboriginal high art. Durham [N.C.]: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817.
Myers, F.R. (2002b) Painting culture: the making of an aboriginal high art. Durham [N.C.]: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817.
O’Brien, E. (2013a) Modern art in Africa, Asia and Latin America: an introduction to global modernisms. Malden, MA: Wiley-Blackwell.
O’Brien, E. (2013b) Modern art in Africa, Asia and Latin America: an introduction to global modernisms. Malden, MA: Wiley-Blackwell.
Obrist, H.U. (2008) A brief history of curating. Zurich: Jrp Ringier.
Obrist, H.-U. (2011) Everything you always wanted to know about curating but were afraid to ask. Berlin: Sternberg.
O’Neill, P. (2012) The culture of curating and the curating of culture(s). Cambridge, Mass: The MIT Press.
Ord, D. (20030101) The National Gallery of Canada: Ideas Art Architecture. Montrǎl, QC, CAN: McGill-Queen’s University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807310002746&institutionId=2746&customerId=2745.
Osborne, P. (2013) Anywhere or not at all: philosophy of contemporary art. London: Verso. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5177068.
Paul, C. (ed.) (2012) The first modern museums of art: the birth of an institution in 18th- and early-19th-century Europe. Los Angeles: J. Paul Getty Museum.
Pergam, E.A. (2011) The Manchester Art Treasures Exhibition of 1857: entrepreneurs, connoisseurs and the public. Farnham: Ashgate.
Prendergast, C. and Gros, A.-J. (1997) Napoleon and history painting: Antoine-Jean Gros’s La bataille d’Eylau. Oxford: Clarendon Press.
Preziosi, D. (1998) The art of art history: a critical anthology. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=453635.
Prior, N. (2002) Museums and modernity: art galleries and the making of modern culture. Oxford: Berg.
Putnam, J. (2009) Art and artifact: the museum as medium. Rev. paperback ed. London: Thames & Hudson.
Read, H. (1974) A concise history of modern painting. New ed. London: Thames and Hudson.
Robson, A.D. (1995) Prestige, profit, and pleasure: the market for modern art in New York in the 1940s and 1950s. New York: Garland Publishing.
Rollins, M. (2012) Danto and his critics. 2nd ed. Chichester, West Sussex, UK: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=821934.
Serota, N. (1996) Experience or interpretation: the dilemma of museums of modern art. London: Thames & Hudson.
Sheehan, J.J. (2000) Museums in the German art world from the end of the old regime to the rise of modernism. Oxford: Oxford University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10269055.
Smith, B., Smith, T. and Heathcote, C. (2001) Australian painting, 1788-2000. 4th ed. South Melbourne, Vic: Oxford University Press.
Smith, C.W. (1989) Auctions: the social construction of value. Berkeley, Calif: University of California Press.
Smith, T. (2009a) What is contemporary art? Chicago, Ill: The University of Chicago Press.
Smith, T. (2009b) What is contemporary art? Chicago, Ill: The University of Chicago Press.
Smith, T. (2011) Contemporary art: world currents. Upper Saddle River [N.J.]: Prentice Hall.
Smith, T. (2012) Thinking contemporary curating. New York: Independent Curators International.
Soriano, K. (2013) Australia. London: Royal Academy of Arts.
Spieker, S. (2008) The big archive: art from bureaucracy. Cambridge, Mass: MIT.
Sterling and Francine Clark Art Institute and Raqs Media Collective (Organization) (2014) Art history in the wake of the global turn. Edited by J.H. Casid and A. D’Souza. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute.
Taste Buds: how to cultivate the art market | Arts Council (no date). Available at: https://www.artscouncil.org.uk/sites/default/files/download-file/tastebudssummary-php7xdjde-e9KL-6-2500.pdf.
Taylor, B. and Barber Institute of Fine Arts (1999) Art for the nation: exhibitions and the London public, 1747-2001. Manchester: Manchester University Press.
The Bias of the World: Curating After Szeemann & Hopps | The Brooklyn Rail (no date). Available at: http://brooklynrail.org/2006/12/art/the-bias-of-the-world.
Thea, C. and Micchelli, T. (2009) On curating: interviews with ten international curators. New York, N.Y.: D.A.P./Distributed Art Publishers.
Tseng, S. (2003) The art market, collectors and art museums in Taiwan since 1949. Taipei: Sanyi Cultural Enterprise.
Waterfield, G. (2015) People’s galleries : art museums and exhibitions in Britain, 1800-1914. New Haven: Yale University Press.
Watson, P. (1992) From Manet to Manhattan: the rise of the modern art market. London: Hutchinson.
Wenger, E., McDermott, R.A. and Snyder, W. (2002) Cultivating communities of practice: a guide to managing knowledge. Boston: Harvard Business School Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5181870.
Whitehead, C. (2012) Interpreting art in museums and galleries. London: Routledge. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=343483.
Wright, G. and Center for Advanced Study in the Visual Arts (Washington) (1996) The formation of national collections of art and archaeology. Washington, D.C.: National Gallery of Art.
Zentrum für Kunst und Medientechnologie Karlsruhe (2013) The global contemporary and the rise of new art worlds. Edited by H. Belting, A. Buddensieg, and P. Weibel. Cambridge, Massachusetts: MIT Press.