Armitt, L. (2011) Twentieth-century gothic. Cardiff, Wales: University of Wales Press. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=819776.
Austen, J. (2008) Northanger Abbey. Rockville, Maryland: Arc Manor. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=5443970.
Baudot, L. (2011) ‘"Nothing Really in It”: Gothic Interiors and the Externals of the Courtship Plot in Northanger Abbey’, Eighteenth-Century Fiction, 24(2), pp. 325–352. Available at: https://doi.org/10.1353/ecf.2011.0055.
Beard, M. (1998) ‘“Visions of romance—Anxieties of common life”—Jane Austen’s Gothic novel: A reading of Northanger Abbey’, English Academy Review, 15(1), pp. 130–138. Available at: https://doi.org/10.1080/10131759885310131.
Blakemore, S. (1998) ‘Matthew Lewis’s Black Mass: sexual, religious inversion in “The Monk”’, Studies in the Novel, 30(4). Available at: https://www.jstor.org/stable/29533296?seq=1#metadata_info_tab_contents.
Bloom, C. (1998) Gothic horror: a reader’s guide from Poe to King and beyond. Basingstoke: Macmillan.
Botting, F. (1996) Gothic. London: Routledge.
Botting, F. (2001) Gothic, The. Essays and Studies 2001. Cambridge: Boydell & Brewer Ltd. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4949420.
Botting, F. (2008) Limits of horror: technology, bodies, Gothic. Manchester: Manchester University Press. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1069700.
Brontë, E. and Stoneman, P. (1995) Wuthering Heights. Oxford: Oxford University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=55835&site=ehost-live.
Bruhm, S. (1994) Gothic bodies: the politics of pain in romantic fiction. Philadelphia: University of Pennsylvania Press.
Bürger, G.A. (1796) ‘Lenore’. Available at: https://literature.proquest.com/searchFulltext.do?id=Z200478605&childSectionId=Z200478605&divLevel=2&queryId=3087837989573&trailId=166DE3F7C88&area=poetry&forward=textsFT&queryType=findWork.
Burwick, F. (2009) Shakespearean Gothic. Edited by C. Desmet and A. Williams. Cardiff, [Wales]: University of Wales Press. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496650.
Butler, M. (1987) Jane Austen and the war of ideas. New ed. Oxford: Clarendon Press.
Byron, G. and Punter, D. (1999) Spectral readings: towards a Gothic geography. Basingstoke: Macmillan.
Carter, A. (2006) The bloody chamber and other stories. London: Vintage.
Castle, T. (1995) The female thermometer: eighteenth-century culture and the invention of the uncanny. New York: Oxford University Press.
Castle, T. (2005) ‘The Gothic novel’, in The Cambridge History of English Literature, 1660-1780. Cambridge: Cambridge University Press, pp. 673–706. Available at: https://doi.org/10.1017/CHOL9780521781442.028.
Clery, E.J. (1992) ‘The Politics of the Gothic Heroine in the 1790s’, in Reviewing Romanticism. Basingstoke: Macmillan.
Clery, E.J. (1995) The rise of supernatural fiction, 1762-1800. Cambridge: Cambridge University Press.
Clery, E.J. and British Council (2004) Women’s gothic: from Clara Reeve to Mary Shelley. 2nd ed. Tavistock: Northcote House.
Clery, E.J. and Miles, R. (2000) Gothic documents: a sourcebook, 1700-1820. Manchester: Manchester University Press.
Coleridge, Samuel Taylor (no date) ‘Christabel’. Available at: https://literature.proquest.com/searchFulltext.do?id=Z300317143&childSectionId=Z300317143&divLevel=3&queryId=3087837824172&trailId=166DE3E395E&area=poetry&forward=textsFT&queryType=findWork.
Cottom, D. (1985) The civilized imagination: a study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. Cambridge: Cambridge University Press.
Davison, C.M. (2009) Gothic literature 1764-1824. Cardiff, [Wales]: University of Wales Press. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496654.
Day, W.P. (1985) In the circles of fear and desire: a study of gothic fantasy. Chicago: University of Chicago.
DeLamotte, E.C. (1990) Perils of the night: a feminist study of nineteenth-century Gothic. New York: Oxford University Press.
Drury, J. (2016) ‘Twilight of the Virgin Idols: Iconoclash in The Monk’, The Eighteenth Century, 57(2), pp. 217–233. Available at: https://doi.org/10.1353/ecy.2016.0014.
Duncan, I. (1992) Modern romance and transformations of the novel: the Gothic, Scott, and Dickens. Cambridge: Cambridge University Press.
Ellis, K.F. (1989) The contested castle: Gothic novels and the subversion of domestic ideology. Urbana: University of Illinois Press.
Ellis, M. (2000) The history of gothic fiction. Edinburgh: Edinburgh University Press.
Emma Clery J. (2010) ‘Horace Walpole, the Strawberry Hill Press, and the Emergence of the Gothic Genre’, Ars & Humanitas, 4(1–2), pp. 93–111. Available at: https://doi.org/https://doi.org/10.4312/ah.4.1-2.93-111.
Fleenor, J.E. (1983) The female Gothic. Montréal: Eden Press.
Franklin, C. (2010) Longman Anthology of Gothic Verse, The. 1st ed. Milton: Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4977177.
Freud, S. et al. (2001) ‘The Uncanny’, in The standard edition of the complete psychological works of Sigmund Freud: Vol. 17: (1917-1919). An infantile neurosis and other works. London: Vintage, pp. 217–256.
Gamer, M. (2000) Romanticism and the Gothic: genre, reception, and canon formation. Cambridge [England]: Cambridge University Press. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=144769.
Garside, P. (1998) ‘Romantic Gothic’, in Literature of the romantic period: a bibliographical guide. Oxford: Clarendon Press, pp. 315–340.
Georgieva, M. (2013) The Gothic Child. New York: Palgrave Macmillan. Available at: http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/book/10.1057%2F9781137306074#toc.
Graham, K.W. (1989a) Gothic fictions: prohibition/transgression. New York: AMS press.
Graham, K.W. (1989b) Gothic fictions: prohibition/transgression. New York: AMS press.
Hoeveler, D.L. (1998) Gothic feminism: the professionalization of gender from Charlotte Smith to the Brontës. Liverpool: Liverpool University Press.
Hogle, J.E. (2006) The Cambridge companion to gothic fiction. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521791243.
Hogle, J.E. (ed.) (2014) The Cambridge companion to the modern gothic. Cambridge, United Kingdom: Cambridge University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/cambridge-companion-to-the-modern-gothic/135CFDEF5784BF30A9FBBEA7A18EE8AD.
Howard, J. (1994) Reading Gothic fiction: a Bakhtinian approach. Oxford: Clarendon Press.
Howells, C.A. (2013) Love, mystery, and misery: feeling in Gothic fiction. London: Bloomsbury Academic.
Ingham, P. (ed.) (2014) The Brontës. Oxfordshire, [England]: Routledge. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1710656.
Jones, W. (1990) ‘Stories of Desire in the Monk’, ELH, 57(1). Available at: https://doi.org/10.2307/2873248.
Kahane, C. (1985) ‘The Gothic Mirror’, in The (m)other tongue: essays in feminist psychoanalytic interpretation. Ithaca, N.Y.: Cornell University Press, pp. 334–351.
Kavanagh, J.H. (1985) Emily Brontë. Oxford: Blackwell.
Kelly, G. (1989) English fiction of the Romantic period, 1789-1830. London: Longman.
Kilgour, M. (1995) The rise of the Gothic novel. London: Routledge.
Killeen, J. (2009) Gothic literature 1825-1914. Cardiff, Wales: University of Wales Press.
Lewis, Matthew Gregory (1796) ‘Alonzo the Brave and Fair Imogine’. Available at: https://literature.proquest.com/searchFulltext.do?id=Z200415826&childSectionId=Z200415826&divLevel=2&queryId=3087838336243&trailId=166DE422250&area=poetry&forward=textsFT&queryType=findWork.
Lewis, M.G. (1913) The monk: a romance. London: Gibbings. Available at: https://literature.proquest.com/toc.do?sourceId=Z000033186&action=new&area=prose&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes.
Maja-Lisa von Sneidern (1995) ‘Wuthering Heights and the Liverpool Slave Trade’, ELH, 62(1). Available at: https://www.jstor.org/stable/30030265?seq=1#metadata_info_tab_contents.
Makinen, M. (1992) ‘Angela Carter’s “The Bloody Chamber” and the Decolonization of Feminine Sexuality’, Feminist Review [Preprint], (42). Available at: https://doi.org/10.2307/1395125.
Mary Kaiser (no date) ‘Fairy tale as sexual allegory: intertextuality in Angela Carter’s “The Bloody Chamber.” (Angela Carter)’, The Review of Contemporary Fiction [Preprint]. Available at: http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=1&docId=GALE%7CA15906135&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA15906135&searchId=R2&userGroupName=leicester&inPS=true.
MARY POOVEY (1979) ‘Ideology and “The Mysteries of Udolpho”’, Criticism, 21(4). Available at: https://www.jstor.org/stable/23102716?seq=1#metadata_info_tab_contents.
Mellor, A.K. (2012) Mary Shelley: Her Life, Her Fiction, Her Monsters. London: Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=995708.
Miles, R. (1995) Ann Radcliffe: the great enchantress. Manchester: Manchester University Press.
Miles, R. (2002) Gothic writing, 1750-1820: a genealogy. 2nd ed. Manchester: Manchester University Press.
Miller, C.R. (2015) ‘Chapter 6: Northanger Abbey and Gothic Perception’, in Surprise: the poetics of the unexpected from Milton to Austen. Ithaca: Cornell University. Available at: https://ebookcentral.proquest.com/lib/leicester/reader.action?docID=3138737&ppg=152.
Moers, E. (1977) ‘Literary Women’, in Literary women. London: W.H. Allen, pp. 90–110.
Mowl, T. (1996) Horace Walpole: the great outsider. London: Murray.
Mulvey Roberts, M. (1998) The handbook to Gothic literature. Basingstoke: Macmillan.
Myburgh, A. (2018) ‘Cathy’s Subversive “Black Art” in Emily Brontë’s’, English Academy Review, 35(1), pp. 61–72. Available at: https://doi.org/10.1080/10131752.2018.1474623.
Norton, R. (1999) Mistress of Adolpho: the life of Ann Radcliffe. London: Leicester University Press.
Norton, R. (2000) Gothic readings: the first wave, 1764-1840. New York: Leicester University Press.
Palmer, P. (2012) The queer uncanny: new perspectives on the Gothic. Cardiff: University of Wales Press. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889097.
Paulson, R. (1981) ‘Gothic Fiction and the French Revolution’, ELH, 48(3). Available at: https://doi.org/10.2307/2872912.
Paulson, R. (1983) Representations of revolution, (1789-1820). New Haven, Conn: Yale University Press.
Peschier, D. (2005) Nineteenth-Century Anti-Catholic Discourses: The Case of Charlotte Brontë. London: Palgrave Macmillan Limited. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=257976.
Punter, D. (1996a) The literature of terror: a history of gothic fictions from 1765 to the present day, Vol.1: The gothic tradition. 2nd ed. London: Longman.
Punter, D. (1996b) The literature of terror: a history of gothic fictions from 1765 to the present day, Vol.2: The modern gothic. 2nd ed. London: Longman.
Punter, D. (2012) A new companion to the Gothic. Malden, Mass: Wiley-Blackwell. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=843409.
Radcliffe, A. (1797) The Italian. Available at: http://find.gale.com.ezproxy3.lib.le.ac.uk/ecco/infomark.do?action=interpret&docType=ECCOArticles&source=gale&tabID=T001&prodId=ECCO&userGroupName=leicester&bookId=0247200301&type=getFullCitation&contentSet=ECCOArticles&version=1.0&finalAuth=true.
Radcliffe, A.W., Dobrée, B. and Garber, F. (1980) The mysteries of Udolpho. Oxford: Oxford University Press. Available at: https://ebooks.adelaide.edu.au/r/radcliffe/ann/udolpho/.
Ranger, P. and Society for Theatre Research (1991) ‘Terror and pity reign in every breast’: Gothic drama in the London patent theatres, 1750-1820. London: Society for Theatre Reasearch.
Roberts, B.B. (1980) The Gothic romance, its appeal to women writers and readers in late eighteenth-century England. New York: Arno Press.
Robin Ann Sheets (1991) ‘Pornography, Fairy Tales, and Feminism: Angela Carter’s “The Bloody Chamber”’, Journal of the History of Sexuality, 1(4). Available at: https://www.jstor.org/stable/3704419?seq=1#metadata_info_tab_contents.
Ruth Mack (2008) ‘Horace Walpole and the Objects of Literary History’, ELH, 75(2). Available at: https://www.jstor.org/stable/27654616?seq=1#metadata_info_tab_contents.
Salter, D. (2009) ‘"This demon in the garb of a monk”: Shakespeare, the Gothic and the discourse of anti-Catholicism’, Shakespeare, 5(1), pp. 52–67. Available at: https://doi.org/10.1080/17450910902764298.
Schama, S. (1989) Citizens: a chronicle of the French Revolution. London: Penguin.
Sedgwick, E.K. (1981) ‘The Character in the Veil: Imagery of the Surface in the Gothic Novel’, PMLA, 96(2). Available at: https://doi.org/10.2307/461992.
Sedgwick, E.K. (1986a) The coherence of Gothic conventions. New York: Methuen.
Sedgwick, E.K. (1986b) The coherence of Gothic conventions. New York: Methuen.
Shapira, Y. (2006) ‘Where the Bodies Are Hidden: Ann Radcliffe’s “Delicate” Gothic’, Eighteenth Century Fiction, 18(4), pp. 453–476. Available at: https://doi.org/10.1353/ecf.2006.0068.
Shelley, M.W. and Hunter, J.P. (1996) Frankenstein: the 1818 text, contexts, nineteenth-century responses, modern criticism. New York: W.W. Norton.
Smith, A. (2013) Gothic literature. 2nd ed. Edinburgh: Edinburgh University Press. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1183044.
Spongberg, M. (2012) ‘History, fiction, and anachronism:                              , the Tudor “past” and the “Gothic” present’, Textual Practice, 26(4), pp. 631–648. Available at: https://doi.org/10.1080/0950236X.2012.696487.
Spooner, C. (2012) Contemporary Gothic. London: Reaktion Books, Limited. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=420814.
Spooner, C. and McEvoy, E. (2007) The Routledge companion to Gothic. London: Routledge. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=325063.
Stevens, D. (2000) The gothic tradition. Cambridge: Cambridge University Press.
Todorov, T. (1975) The fantastic: a structural approach to a literary genre ; translated from the French by Richard Howard ; with a foreword by Robert Scholes. Ithaca, N.Y: Cornell University Press.
Wallace, D. and Smith, A. (2009) The Female Gothic. London: Palgrave/MacMillan. Available at: https://link.springer.com/book/10.1057%2F9780230245457.
Walpole, H. (2010) The castle of Otranto. London: Penguin. Available at: http://ezproxy.lib.le.ac.uk/login?url=https://www.proquest.com/lion/docview/2138576892/Z000047333.
‘Women’s writing: The Elizabethan to Victorian period’ (no date).