Allen, R. and Berg, T. van den (2014) Serialization in popular culture. London: Routledge.
Bannerjee, Karuna, Bannerjee, Kanu and Ray, S. (no date) ‘Pather panchali =: Song of the road’. [S.l.]: Artificial eye.
Barefoot, G. (2011) ‘Who Watched that Masked Man? Hollywood’s Serial Audiences in the 1930S’, Historical Journal of Film, Radio and Television, 31(2), pp. 167–190. Available at: https://doi.org/10.1080/01439685.2011.572604.
Barefoot, G. (2016a) The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s. Exeter: University of Exeter Press.
Barefoot, G. (2016b) ‘The Serial and the Cliffhanger: Definitions and Origins: Chapter’, in The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s. Exeter: University of Exeter Press, pp. 11–39.
Beaty, B. (2016) ‘The Blockbuster Superhero: Chapter’, in C.A.B. Lucia, R. Grundmann, and A. Simon (eds) American film history: selected readings, 1960 to the present. Hoboken, New Jersey: Wiley Blackwell, pp. 423–437. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665537880002746&institutionId=2746&customerId=2745.
Beebe, F., Taylor, R., et al. (2000) ‘Flash Gordon conquers the universe’. Chatsworth, Calif: Image Entertainment.
Beebe, F., Crabbe, B., et al. (2000) ‘Flash Gordon’s trip to Mars’. Chatsworth, Calif: Image Entertainment.
Beebe, F., Goodkind, S.A. and Crabbe, B. (2003) ‘Buck Rogers’. [S.l.]: VCI Entertainment.
Bill Douglas: a lanternist’s account (1993). London: BFI in association with the Scottish Film Council.
Booth, P. (2011) ‘“Memories, Temporalities, Fictions:  Temporal displacement in Contemporary Television”’. Available at: http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/12/4/370.
Bordwell, D. (2005) ‘Feuillade, or Storytelling: Chapter’, in Figures traced in light: on cinematic staging. Berkeley: University of California Press, pp. 43–82.
Brasch, I. and Mayer, R. (2016) ‘Modernity management: 1920s cinema, mass culture and the film serial’, Screen, 57(3), pp. 302–315. Available at: https://doi.org/10.1093/screen/hjw031.
Brooker, W. (2012) Hunting the Dark Knight: twenty-first century Batman. London: I.B. Tauris. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664375810002746&institutionId=2746&customerId=2745.
Brower, O. et al. (2006) ‘The science fiction cliffhanger collection’. [California]: Passport Video.
Bruzzi, S. (2007) Seven up. London: BFI.
Butler, K.J. (2002) ‘Irma Vep: Vamp in the City: Mapping the Criminal Feminine in Early French Serials: Chapter’, in A feminist reader in early cinema. Durham, N.C.: Duke University Press, pp. 195–220.
Callahan, V. (2005) Zones of anxiety: movement, Musidora, and the crime serials of Louis Feuillade. Detroit, Mich: Wayne State University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737070002746&institutionId=2746&customerId=2745.
Campion, J. (2013) ‘Top of the Lake’. Available at: http://www.moviemail.com/film/dvd/Top-of-the-Lake/.
Canjels, R. (2010) Distributing silent film serials: local practices, changing forms, cultural transformation. London: Routledge.
Chadwick, J. et al. (2006) ‘First episode’, Bleak House. Special edition. [S.l.]: BBC.
Corkin, S. (2017) Connecting The wire: race, space, and postindustrial Baltimore. First edition. Austin: University of Texas Press.
Corner, J. (1998) ‘“Narrative” in Critical ideas in television studies’, in. Oxford: Oxford University Press.
Creeber, G. (2001) ‘‘"Taking our personal lives seriously”: intimacy, continuity and memory in the television drama serial’’. Available at: http://mcs.sagepub.com.ezproxy3.lib.le.ac.uk/content/23/4/439.
Creeber, G. (2004) Serial television: big drama on the small screen. London: BFI Publishing.
Creeber, G. (2006) ‘Analysing Television: Issues and Methods in Textual Analysis’ in Tele-visions: an introduction to studying television. London: BFI.
Dahlquist, M. (2013) Exporting Perilous Pauline: Pearl White and the serial film craze. Urbana, Ill: University of Illinois Press. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10722961.
Daniels, L. (2015) ‘Empire: Season 1 [DVD]’.
Denson, S. (2011) ‘»To be continued...«: Seriality and Serialization in Interdisciplinary Perspective [What Happens Next: The Mechanics of Serialization. Graduate Conference at the University of Amsterdam, March 25–26, 2011.]’, JLTonline Conference Proceedings [Preprint]. Available at: http://www.jltonline.de/index.php/conferences/article/view/346/1004.
Dickens, C. (2001) Bleak house. London: Electric Book Co. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10015080.
Dickens Journals Online (no date). Available at: http://www.djo.org.uk/.
Douglas, B. (no date) ‘Bill Douglas Trilogy [DVD  Blu-ray]’. BFI.
Eason, B. et al. (2935) ‘The phantom empire’. [S.l.]: VCI entertainment.
Eco, U. (1979) ‘The Myth of Superman, Chapter’, in The role of the reader: explorations in the semiotics of texts. London: Indiana U.P., pp. 107–124.
Eco, U. (1990) ‘Interpreting Serials: Chapter’, in The limits of interpretation. Bloomington, Ind: Indiana University Press, pp. 83–100.
Ed Wiltse (1998) ‘“So Constant an Expectation”: Sherlock Holmes and Seriality’, Narrative, 6(2), pp. 105–122. Available at: http://www.jstor.org/stable/20107142?seq=1#page_scan_tab_contents.
English, J., Witney, W. and Hadley, R. (2004) ‘Zorro’s fighting legion’. [S.l.]: Studio Roan.
Fabrizi, A. and Rossellini, R. (2005) ‘Roma, citta aperta =: Rome, open city’. [S.l.]: Arrow.
Favreau, J. et al. (2008) ‘Iron Man’. [S.l.]: Paramount.
Feuillade, L. et al. (no date) ‘Fantômas’. [S.l.]: [Artificial eye].
Feuillade, L., Mathé, É., and Musidora (no date) ‘Les vampires: Disc 1: Episodes 1-5’. [S.l.]: Artificial Eye.
Flanagan, M., Livingstone, A. and McKenny, M. (2016) The Marvel Studios phenomenon: inside a transmedia universe. New York: Bloomsbury Academic. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4460222.
Gardner, J. (2012) ‘Serial Pleasures, 1907-1938’ Chapter’, in Projections: comics and the history of twenty-first-century storytelling. Stanford, Calif: Stanford University Press, pp. 29–67. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221460002746&institutionId=2746&customerId=2745.
Geraghty, C. (1981) ‘The Continuous Serial: A Defintion’, Coronation Street. Edited by R. Dyer. London: BFI. Available at: https://core.ac.uk/download/files/42/1393833.pdf.
Geraghty, C. (1990) Women and soap opera: a study of prime time soaps. Oxford: Polity Press.
Geraghty, C. (2003) ‘“Aesthetics and quality in popular television drama” International Journal of Cultural Studies 6,’ pp. 25–45. Available at: http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/6/1/25.full.pdf+html.
Geraghty, C. (2012) Bleak house. London: BFI.
Giddings, R. (no date) Soft Soaping Dickens: Andres Davies, BBC-1 and ‘Bleak House’. Available at: http://charlesdickenspage.com/Soft_Soaping_Dickens.html.
Giddings, R. and Selby, K. (2001) The classic serial on television and radio. Basingstoke: Palgrave.
Gordon, I., Jancovich, M. and McAllister, M.P. (2007) Film and Comic Books. Jackson: University Press of Mississippi. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=840334.
Gray, R.J. and Kaklamanidou, B. (2011) The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film. Jefferson: McFarland & Company, Inc., Publishers. Available at: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=768108.
Guy Barefoot (2006) ‘Autobiography and the autobiographical in the Bill Douglas trilogy’, Author(s):Guy BarefootDocument types:CommentaryDocument features:References,  PhotographsPublication title:Biography. Honolulu: Winter 2006. Vol. 29, Iss.  1;  pg. 14, 18 pgsSource type:Periodical Text Word Count6448, 29(1). Available at: https://literature.proquest.com/searchFulltext.do?id=R03843266&divLevel=0&queryId=3001292647300&trailId=15CCAFEECC7&area=abell&forward=critref_ft.
Hagedorn, R. (1995) ‘Doubtless to be Continued: A Brief History of Serial Narrative: Chapter’, in To be continued: soap operas around the world. London: Routledge, pp. 27–48. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573550002746&institutionId=2746&customerId=2745.
Hayward, J. (1997) ‘Introduction: Chapter’, in Consuming pleasures: active audiences and serial fictions from Dickens to the soap opera. Lexington, Ky: University Press of Kentucky, pp. 1–20. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538550002746&institutionId=2746&customerId=2745.
Higgins, S. (2007) ‘Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film’, Cinema Journal, 47(2), pp. 74–96. Available at: https://doi.org/10.1353/cj.2008.0010.
Higgins, S. (2014) ‘Seriality’s Ludic Promise: Film Serials and the Pre-History of Digital Gaming’, Eludamos. Journal for Computer Game Culture, 8(1). Available at: http://www.eludamos.org/index.php/eludamos/article/viewArticle/vol8no1-7.
Higgins, S. (2016) Matinee Melodrama. New Brunswick, NJ: Rutgers University Press. Available at: http://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=f5e891e2-df1e-4fcc-b00d-bfcfb20c48a8%40sessionmgr101&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=1163236&db=nlebk.
Higgins, S. (2017) ‘The Inevitability of Chance: Time in the Sound Serial: Chapter’, in Media of Serial Narrative. Ohio State University Press, pp. 93–107. Available at: https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569.
Hills, M. (2007) ‘“From the box in the corner to the box set on the shelf”: TVIII and the cultural/textual valorisations of the DVD’’. Available at: http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140167.
Hills, M. (2011) ‘“Television Aesthetics: A Pre-structuralist Danger?”’ Available at: http://www.euppublishing.com/doi/pdfplus/10.3366/jbctv.2011.0008.
Holdsworth, A. (2010) ‘“Televisual Memory”’, Screen (London), Vol.51 (2). Available at: http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/screen/article/51/2/129/1684514.
Holmes, S. (2006) Adventure of Sherlock Holmes. Delhi: Global Media. Available at: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=3011077.
Hurst, R.M. (2007) Republic Studios: between poverty row and the majors. Updated ed. Lanham, Md: Scarecrow Press.
Jackson, P. et al. (2002) ‘The lord of the rings: the fellowship of the ring’. [S.l.]: Entertainment in Video.
Jacobs, J. (2001) ‘Issues of Judgement and Value in Television Studies’ International Journal of Cultural Studies. Available at: http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/4/4/427.full.pdf+html.
Jenkins, H. (2006) ‘Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling: Chapter’, in Convergence culture: where old and new media collide. New York: New York University Press, pp. 95–134.
Johnson, C. (2007) ‘“Tele-branding in TVIII: the network as brand and the programme as brand”’. Available at: http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140126.
Kackman, M. (2008) ‘“Quality Television, Melodrama, and Cultural Complexity”’. Available at: http://flowtv.org/?p=2101.
Kallay, J. (2013) ‘Narrative Architecture: Databases, Labyrinths and Stories That Won’t End: Chapter’, in Gaming film: How games are reshaping contemporary cinema. Basingstoke: Palgrave Macmillan, pp. 32–65. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665936340002746&institutionId=2746&customerId=2745.
Kate Webb (2012) ‘Bill Douglas among the Philestines: From the Trilogy to Comrades’, Cinéaste, 37(3), pp. 28–32. Available at: http://www.jstor.org/stable/41691154?seq=1#page_scan_tab_contents.
Kelleter, F. (2014) Serial agencies: The wire and its readers. Winchester: Zero Books.
Kelleter, F. (2017) Media of Serial Narrative. Ohio State University Press. Available at: http://ebookcentral.proquest.com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569.
Kennedy, L. and Shapiro, S. (2012) The wire: race, class, and genre. Ann Arbor, Mich: University of Michigan Press.
Kieślowski, K. and Binoche, J. (no date) ‘Trois couleurs: bleu =’. [S.l.]: Artificial Eye.
Kinnard, R., Crnkovich, T. and Vitone, R.J. (2011) The Flash Gordon serials, 1936-1940: a heavily illustrated guide. Jefferson, N.C.: McFarland.
Kompare, D. (2006) ‘“Publishing flow: DVD box sets and the reconception of television”’. Available at: http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/7/4/335.
Kuhn, A. (2002) ‘Jam Jars and Cliffhangers: Chapter’, in An everyday magic: cinema and cultural memory. London: I.B. Tauris, pp. 38–65.
Kuhn, A. (2010) ‘Memory texts and memory work: Performances of memory in and with visual media’, Memory Studies, 3(4), pp. 298–313. Available at: https://doi.org/10.1177/1750698010370034.
Lambert, Josh (2009) ‘"Wait for the Next Pictures”: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips.’, Cinema Journal; Winter, 48(2), pp. 3–25. Available at: https://doi.org/10.1353/cj.0.0076.
Lanfield, S. et al. (2005) ‘The hound of the Baskervilles’. [S.l.]: Optimum Home Entertainment.
Law, G. (2000) Serializing fiction in the Victorian press. Basingstoke: Palgrave.
Linklater, R. et al. (2014) ‘Boyhood’. [S.l.]: Universal Pictures.
‘Literatur in Wissenschaft und Unterricht’ (2014), 47(1/2).
Lugosi, B., Herman, A. and Clark, C. (2004) ‘The whispering shadow’. [S.l.]: Alpha Video.
Lynnette R. Porter (2012) Sherlock Holmes for the 21st century. Jefferson, N.C: McFarland & Company, Inc., Publishers. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=995801.
Marks, M., Simmon, S., and National Film Preservation Foundation (United States) (2004) ‘The Hazards of Helen, #26: Audio-visual document’, More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks]. [S.l.]: National Film Preservation Foundation.
Marlow-Mann, A. (2002) ‘British Series and Serials in the Silent Era: Chapter’, in Young and innocent?: the cinema in Britain, 1896-1930. Exeter: University of Exeter Press, pp. 147–161.
Mayer, G. (2017) Encyclopedia of american film serials. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4801111.
Mayer, R. (2013) Serial Fu Manchu: the Chinese supervillain and the spread of Yellow Peril ideology. Philadelphia, Pa: Temple University Press.
Miller, T. (2016) ‘Deadpool [DVD] [2016]’. 20th Century Fox Home Entertainment.
Mittell, J. (2004) Genre and television: from cop shows to cartoons in American culture. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=200862.
Mittell, J. (2009a) ‘“Authorship, intentionality and intelligent design”’. Available at: http://justtv.wordpress.com/2009/03/26/authorship-and-intentionality/#more-334.
Mittell, J. (2009b) ‘“Previously On: Prime Time Serials and the Mechanics of Memory”’. Available at: https://justtv.wordpress.com/2009/07/03/previously-on-prime-time-serials-and-the-mechanics-of-memory/.
Mittell, J. (2009c) ‘The Wire, Serial Storytelling and Procedural Logic: Chapter’, in Third person: authoring and exploring vast narratives. Cambridge, Mass: MIT Press, pp. 429–437.
Mittell, J. (2015) Complex TV: the poetics of contemporary television storytelling. New York: New York University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=1991882.
Moffat, S. (no date) ‘“A Scandal in Belgravia”’, Sherlock: Series 1-3.
Newman, M.Z. (2006) ‘“From Beats to Arcs: Towards a Poetics of Television Narrative”’. Available at: http://muse.jhu.edu.ezproxy3.lib.le.ac.uk/journals/the_velvet_light_trap/v058/58.1newman.html.
Nolan, C. (no date) ‘The Dark Knight Trilogy’.
Palmer, B. and Klein, A.A. (2016) Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television. University of Texas Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737140002746&institutionId=2746&customerId=2745.
Perkins, Claire. (2008) ‘Remaking and the Film Trilogy: Whit Stillman’s Authorial Triptych’, The Velvet Light Trap, 61(1), pp. 14–25. Available at: https://doi.org/10.1353/vlt.2008.0010.
Perkins, Claire, D., Verevis, Constantine, D., and SpringerLink (Online service) (2012) Film Trilogies: New Critical Approaches. London: Palgrave Macmillan UK. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4393835600002746&institutionId=2746&customerId=2745.
Poot, L.T. (2016) ‘On Cliffhangers’, Narrative, 24(1), pp. 50–67. Available at: https://doi.org/10.1353/nar.2016.0001.
Potter, T. and Marshall, C.W. (2009) The wire: urban decay and American television. New York: Continuum. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10427308.
Reimer, M. et al. (eds) (2014) Seriality and texts for young people: the compulsion to repeat. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=727927.
Reiner, J. et al. (2012) ‘Friday night lights: Season 1’. [S.l.]: Universal Pictures.
Ritchie, G. et al. (2010) ‘Sherlock Holmes’. [S.l.]: Warner Bros. Home Entertainment.
Schaeffer, A. and McGowan, J.P. (1932) ‘The Hurricane Express, The John Wayne cliffhanger collection’, The John Wayne cliffhanger collection. Collector’s edition. [S.l.]: Passport Video.
Scolari, C.A. et al. (2014) Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines. London: Palgrave Macmillan UK. Available at: http://dx.doi.org/10.1057/9781137434371.
Simon, D., West, D. and Doman, J. (2004) ‘The wire: Season two: A new case begins’. [S.l.]: HBO Video.
Simon, D., West, D. and Doman, J. (2005a) ‘The Target, pilot episode of The wire: Season one’, The wire: Season one: Listen carefully. [S.l.]: HBO Video.
Simon, D., West, D. and Doman, J. (2005b) ‘The wire: Season five: Read between the lines’. [S.l.]: HBO Video.
Simon, D., West, D. and Doman, J. (2005c) ‘The wire: Season four’. [S.l.]: HBO Video.
Simon, D., West, D. and Doman, J. (2005d) ‘The wire: Season three’. [S.l.]: HBO Video.
Singer, B. (1996) ‘Serials, Chapter’, in The Oxford history of world cinema. Oxford: Oxford University Press, pp. 105–111. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538530002746&institutionId=2746&customerId=2745.
Singer, B. (2001) ‘Power and Peril in the Serial-Queen Melodrama: Chapter’, in Melodrama and modernity: early sensational cinema and its contexts. New York: Columbia University Press, pp. 221–262.
Spigel, L. and Olsson, J. (2004) Television After TV: Essays on a Medium in Transition. Duke University Press. Available at: http://site.ebrary.com/lib/leicester/detail.action?docID=10207685.
Stamp, S. (2000) Movie-struck girls: women and motion picture culture after the nickelodeon. Princeton, N.J.: Princeton University Press.
Stamp, S. (2004) ‘An Awful Struggle Between Love and Ambition: Serial Heroines, Serial Stars and Their Female Fans: Chapter’, in The silent cinema reader. London: Routledge, pp. 210–225.
Stein, L.E. and Busse, K. (2012) Sherlock and Transmedia Fandom: Essays on the BBC Series. Jefferson: McFarland & Company, Inc., Publishers. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664613360002746&institutionId=2746&customerId=2745.
Stephani, F. et al. (1999) ‘Flash Gordon’. Chatsworth, Calif: Image Entertainment.
Telotte, J.P. (1995) ‘A Charming Interlude: Of Serials and Hollow Men, Chapter’, in Replications: a robotic history of the science fiction film. Urbana, Ill: University of Illinois Press, pp. 91–110.
‘The Velvet Light Trap-Number 79, Spring 2017’ (no date), (79). Available at: http://librarysearch.le.ac.uk/44UOLE_VU1:default_scope:44UOLE_ALMA51125487220002746.
Truffaut, F. et al. (2006) ‘Les quatre cents coups =: The 400 blows’. London: 2 Entertain.
Turnbull, S. (2014) The TV crime drama. Edinburgh: Edinburgh University Press.
Tuska, J. (2000) The vanishing legion: a history of Mascot Pictures, 1927-1935. Jefferson, N.C.: McFarland.
Vincent, J. (1919) ‘A Woman in Grey’.
Walters, J. (2008) ‘“Repeat Viewings: Television Analysis in the DVD Age”’, in J. Bennett (ed.) Film and Television After DVD. Routledge.
Whedon, J. et al. (2012) ‘Avengers assemble’. [S.l.]: Paramount.
White, P., Gasnier, L.J. and MacKenzie, D. (1914) ‘The perils of Pauline’. [S.l.]: Grapevine Video.
Whitfield, J. (2008) ‘Beginnings and Endings in Films, Film and Film Studies. University of Warwick, 13 June 2008’, Screen, 49(4), pp. 471–476. Available at: https://doi.org/10.1093/screen/hjn069.
Williams, L. (2014) On the Wire. Durham: Duke University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=634245.
Wolf, M.J.P. (2017) ‘World-Building in Watchmen’, Cinema Journal, 56(2), pp. 119–125. Available at: https://doi.org/10.1353/cj.2017.0006.